#onto season 5

[liam-summers]

About to watch “Home” and be released from the shackles of AtS season 4 once and for all

GOOD FUCKING RIDDANCE 🗣️

YOU COULDN’T PAY ME TO EVER REWATCH SEASON 4 (and season 3, for that matter!!) OF THIS DAMN SHOW EVER AGAIN!!!!! I would rather gnaw off my own LIMBS!!!!!!!!!

[quillkiller]

season 4 finale everyone cheered and clapped

[everkinshi]

I'm handing out tissues to anyone who needs one

[paperlignes]

NANDOR THE RELENTLESS WHAT WE DO IN THE SHADOWS (2019-) SEASON 5, EPISODE 8: THE ROAST

[wellsbering]

[k1llermustang]

mr jacob pitts came up with this line all by himself. unsurprisingly. you would say that wouldn't you

[infinite-orangepeel]

my two moods are:

1. steve harrington has final girl energy and nothing can kill him

and

2. steve harrington is destined to die a tragic and martyrous death and i will never be okay again

[apocalyptic-byler]

and if i said byler’s first kiss deserves as much passion as jancy’s first kiss then what

[megaawkwardhuman]

wait the fuck a minute

guess this is the dead for a second eyes????

[zabala0z]

Welcome back to the first episode of “Listening to TMA S5, blind” I’m your beloved host and guys. Guys guys. I actually am freaking out.

MAG 161: Dwelling

I’m actually screaming. Hearing the old gang actually made me want to cry. SASHA. SASHA I MISSED YOU :(( also Elias: “I’d like to keep an eye out” you think you’re so fucking funny. I loved the very off key singing of Happy Birthday. Accurate. I wonder if Elias/Jonah sent the tapes for a reason. It’s definitely not to gloat. Is this apart of a wider web of manipulation? The Web style? Also, the fact Sasha could’ve been head archivist. Jesus

Hearing the description of the entities, that they don’t care enough to keep humanity fed and watered unnerved me a lot actually. I don’t know.

MAG 162: A Cozy Cabin

GERRY!!! Nice to hear him as a human, without all the ghost-like qualities. Although hearing Jon rewind the tape over and over and over and over again just made me feel bad.

And then Sasha and Tim.

“we had the ill-advised hookup, the awkward aftermath, and the gradually rebuilt friendship, but – that’s all season two stuff. We’ve got like five more seasons before we get the heartwarming epilogue that makes it canon.”

“No. You took it too far! I’m unforgettable!”

So what if I just ended it all?

Also Jon’s monologue. For a bit, I thought he was “knowing” one of Martins poems that he made during this since Martin was the one who did not like staying at the cabin but no, I was wrong. But time to see the outside world

MAG 163: In The Trenches

I wanna go back to the cabin.

I love TMA so much because of how the format switches up every season. Like season 1 was pretty simple enough with season 2 having Jon add in those supplementals and having a new setting (the tunnels). Season 3 cranks it up with having live statements from recurring characters, statements read by others, and dropping some lore. season 4, while similar to season 1 in terms of format, has Martin reading statements, more god damn lore and some new settings. And now season 5 has uh all this. It’s so amazing and I love it and I’m terrified.

Hearing Jon describe everything going on actuslly made me horrified. Like I got spooked out by the statements but this made me feel so much dread like I’m not even kidding. I also wanna know more about that weird ass doctor and the man with the red flower. Avatars of The Slaughter I presume.

Also that phone. ???? What???

MAG 164: The Sick Village

Gross. While the previous episode made me experience horror, this made me feel disgust. Disgust that just burrowed into my bones (get it. Cause..the episode-). I had such a deep instinct of repulsion. Like actually. I also read the triggers just cause you can never be too careful and I remember thinking, “how can xenophobia be involved with The Corruption?”…apparently xenophobia was very prevalent

Now I know where the whole “Martin’s middle name” thing comes from. I’m glad Basira is alive. And heart broken at the tragedy there is. She’s always chasing Daisy and Daisy is always chasing another thing SOMEBODY SEDATE ME

I think Georgie and Melanie are in the tunnels. It’s been established before that Elias can’t see in the tunnels which probably means Jon can’t see them. I’m glad they are safe. They need it.

Helen! Nice to see her again, I actually cackled when she said “check up on the happy couple”. Nice to see a confirmation about the relationship. This is like the worst time to be dating someone though 💀 Helen’s so happy. I’m sure she has a ton of people in her hallways. I don’t know if she’s lying about the “friend thing, but it’d be funny if she wasn’t

Okay. That’s everything. Sorry for the long wait, I had to take a break after season 4’s finale and then ANOTHER one after listening to the first 3 eps. This is like, actually heavy. Kinda draining. But god, I’m actually going insane.

I want to know how this is going to be fixed. Like. There’s gotta be some happy ending. ??? Right??? Please tell me there is one.

[redrocketpanda]

From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

[sonia-the-hedgehog-2369]

The way my heart DROPPED at this frame when I saw this episode the first time!

[liam-summers]

Just saw a post where someone said that Buffy is an unreliable narrator because of all the times she said she doesn't love Sp*ke, since the one (1) line in season 7 "why does everyone in this house think I'm still in love with Sp*ke?" makes it indisputably canon that she has loved him since maybe season 5, definitely season 6, and this is clearly her finally admitting it after having lied to herself about it for seasons....

Honestly, the level of delusion it takes to get to this conclusion is truly impressive, because not only was that not even the original line/intention from the script (the original being "why does everyone in this house think I'm in love with Sp*ke?") but the way some people will watch the show Buffy the Vampire Slayer for 6.5 seasons where this woman has repeatedly and consistently and violently said that she DOES NOT love Sp*ke's crusty ass, and then dismiss all of that based of of one line that wasn't even meant to have that one extra word that has fuelled rabid delusions for 20+ years in this cursed fandom.

and then to make matters even funnier, these same people will turn around and twist the line "I loved him more than I will ever love anything in this life" (Buffy re: Angel in S7) into "she meant before, she doesn't love him now, it's so out of character.", ignoring the part where she says "MORE THAN ANYTHING IN THIS LIFE", which means more than she's ever, has ever and will ever love anything in her life, something she has repeated at least once a season for 7 seasons straight..........like, not only are you all delusion, but you also apparently have extremely poor reading comprehension skills.

[estella-and-lmk]

"And you can see Nooodle booy ;)"

CANON SPICYNOODLES???

[theconstantsidekick]

no because, supernatural is absolutely a train wreck. it's a colossal accident that is happening in front of you that you can't look away from. it is homophobic and non-sensical and downright laughable at times but you know what? I love it. I absolute love it.

season 1 was absolutely beautiful. you don't understand, really, you don't. they had a piss poor budget, you can see that in every frame. but does that stop it from being fucking beautiful? no. it is stylised and ambitious and a fucking visual treat.

and this is like the first fucking episode. the shots have so much character! and that's nothing to say of the characters themselves. from the first fucking scene you can clearly distinguish sam and dean's character clear as day. their motivations, their dreams, their hopes, all of it. it's established so well. their dynamic is unmatched. does it also have a lot of garbage? yes for sure. because what in the name of hell was that episode with bugs? what glue were they sniffing when they green lit that one? no seriously... I wanna try some.

but then they recovered, cause they did faith. my god, what an episode. WHAT AN EPISODE. that motherfucking reaper haunts my every waking hour

like yeah, I love me some baby dean and baby sam going on their small scale ghost hunts while learning deep lessons about who they are as people and what they want from life.

also that 'laugh I nearly died' needle drop? where sam sees jess? god tier editing, GOD TIER.

then they came back with season 2. and here is my most controversial opinion that should not be controversial at all, season 2 is the best season of supernatural to ever supernatural.

what is and what should never be, hollywood babylon, heart, nightshifter, and the whole fucking season actually. not a single miss in my humble opinion. and that finale? THAT FINALE. beautiful, magnificent. ground breaking character writing, everything comes full circle while simultaneously opening up new plot lines to explore.

and my god, yellow eyes is an epic villain. he is a very viciously written villain like, he's... my god. it ain't a walk in the park writing villains, believe you me patient readers, villains are harder to write than the protagonists, always. well, at least the compelling ones are.

now season 3 suffered because of the writer's strike, but didn't miss much either. like yeah some of the hits don't hit as hard as the season 2, but hey, mystery spot, time is on my side, ghostfacers, bedtime stories are nothing to laugh about. those episodes are fucking solid, like most of the season. and there is so much raw emotion is sam's need to save dean, it just makes my weak winchester brothers loving heart throb a little too hard. also...

need I say more?

does the show did look little more washed out and boring? yes. but it's cool, cause we're moving on to season 4.

listen, I kinda just wanna leave all my season's critique at this. i mean, yeah this. this is it. this is the long and short of it; castiel. i don't think i need to get anymore into it

so season 5 is just—

i'm kidding. obviously i'm gonna talk about season 4, at length.

listen, being able to introduce angels this late in the game and then have them be a such perfectly hidden players is a masterstroke of genius. it just is. i am a writer guys... apart from the relentless fanfic as well lol. and when i tell you, introducing a new big player which is also (not so) secretly the next big bad and playing it off as smoothly as they did in season 4, is beyond hard. but the biggest home run these fuckers hit is castiel and the best part is they weren't aiming for a one lol. and oh oh, the way they use their very VERY limited budget to show wings with just flashing the fucking light? CINEMA! that's fucking cinema right there man. i work on film sets, i am telling you, this is the smartest filmmaking choice they make on the entire show. it adds so much visual intrigue while being so awfully easy to execute. BRILLIANt.

now i cannot talk about supernatural without talking about the deancas romance of it all, which i understand not everyone can see or wants to, which is fine. to each their own. you consume art the way you want to, i don't care much as long as you can acknowledge that castiel and dean's friendship was just some of the best written television that mankind has ever seen. is that too grand a statement? yes. does that make it any less true? no.

they even brought back the moody lighting.

and then there's the episodes this season, most of which are home runs in their own regard. just like beautiful writing, the character development for cas, for dean, for sam, even the late john winchester is wild. anna is a wonderful addition, so is uriel, and alastair? they don't make villains like him anymore, they just fucking don't. AND THAT GODDAMN PLOT TWIST AT THE END? man! the finale was just... too good. Chuck's introduction is absolutely wonderful, even if they ruin him by the end but that happens a decade later so wtv, who cares? But,,,, Jimmy. Fucking. Novak. That's all. that's the tweet. yeah. i'm gonna end the season 4 fan fair with jimmy.

moving to season 5.

subjectively speaking, this is my fucking favorite. this season is a writer's dream while also being their goddamn nightmare. so many WONDERFUL characters to play with and such a grand plot but you get to see it all on a very small, consumable scale which is just... it's too smart for me to not mention. i won't start naming the plot points and neither will i name my favourite episodes because what even is the point? all of it was fucking perfect. you don't understand how hard it is to develop characters to such an extent that they become so familiar to the audience that they know their next move before you even put it on the screen. and supernatural had that. they tied everything together with so much care and consideration, just... AAAH so good.

a special shoutout goes to endverse!cas, crowley and death this season. you all know it in your bones that those three were just the absolute scene stealers. especially death's introduction... immaculate.

they did lose a few points for not being as aesthetically pleasing as the past few seasons but hey, gabriel was enough to make a smooth recovery.

but this... this is the end of the road for me people. season 5 is where it should have ended. in no way shape or form am i saying that there aren't a few good episodes here and there after this, because there are. i think season 5 was so fucking solid, tied up so many goddamn lose ends and then just put a cute little hell shaped bow on top and i just... yeah. this was and should have been the end of the road. do not get me wrong, i love me some jack kline, charlie bradbury, kevin tran, rowena macleod and eileen lahey but were they worth the bullshit ending i had to sit through? not really.

i absolutely think if there weren't more episodes of supernatural I would never have become a destiel fan, because i started shipping them when dean made cas a mixtape in season TWELVE! but my god, the good times were so scattered amongst the horseshit that even when i found those hidden gems, they were so fucking drenched in the stink that they lost their value.

the worst of it all is that, i cannot explain to you what supernatural means to me in a million words, because it is a part of me, heart and soul. i fucking AM castiel. i am a gay little angel you hear me? i love this show. i do. i'm glad it went on for however long it did but i feel like once in a while i need to write shit like this or read shit like this to remind myself of the show that it used to be. of it's beautiful cinematography, of it's clever little storytelling techniques. of it's wonderful cast. of how epic their song choices used to be.

FUcking RENEGADE? iconic. wanted, dead or alive? cannot hear the song without hearing sam's off tune goat bleating that he called singing along.

i need to remind myself of how afraid i used to be of lucifer. of how much i cried while watching dark side of the moon; when dean and sam burst the crackers, and how i learnt the lyrics to knocking on heaven's door just because of that scene.

sometimes i just have to walk through memory lane and look back at gabriel's death, the good one, the only one. it was so fucking meaningful. i have to think of "we are making it up as we go" to be able to breathe properly because those moments were so fucking beautiful.

fuck the big ones, i even remind myself of the small ones, of dean's handwriting being in all caps, just like him. of sam's fucking huge laptop with that weird blue black sticker in the middle. of castiel's tie, that just was the right shade of blue, and hung all wrong but just naturally enough to add so much more to his character than any fucking dialogue could. every small little detail of supernatural that made it so damn supernatural. i miss it all.

idk. i'm rambling. whatever.

[finalgirlsamwinchester]

the When the Levee Breaks to Swan Song to Jack in the Box to Unity throughline. i'm gonna puke. the fucking cycle of patriarchal abuse at a cosmic scale but also on a granular level. we're always going back to mary bleeding and burning on the ceiling. we're always going back to sam breaking down, giving himself up to lucifer, and throwing himself into the depths of hell. familial violence is an ouroborous that both births and consumes itself. and in the end, sam, the moral compass - the one always branded crazy and selfish and disobedient for daring to question his family's reality - being the one to break it all.